2021年将临期第四主日：一种永不褪色的相遇 万有真原
Inspired by "The Visitation" of Mannerist painter Pontormo (1494-1557), Viola revives the painting of the period, giving it life stretching in a time that seems, paradoxically, also suspended (45 seconds extended to 10 min. in slow motion). Director Bill Viola Stars Angela Black Suzanne Peters Bonnie Snyder See production info at IMDbPro
La potenza metafisica dell’immagine nella video arte di Bill Viola La
Viola's The Greeting, a 1995 video work, explicitly recreates the architectural setting and three of the figures of Jacopo Pontormo's Visitation (1528 or 1529), a dramatic imagining of the passage from the Gospel of Luke (1:39-56) in which the Virgin Mary, newly pregnant, goes to visit Elizabeth, her elderly relative, who is six months into a miraculous pregnancy that will produce the boy.
Bill Viola Shows Among the Old Masters in Florence News
It's the emotions that are being stretched" Bill Viola, 2017 [1] Soon after he turned 23, Bill Viola (New York, 1951) moved to Florence to work in one of the leading video art studios in Europe.
Ante vuestros ojos La fotografía mira a la pintura 2011 ( II )
Bill Viola created a secular but psychologically gripping translation of Pontormo's image, one in which the precise meaning of the event remains fluid, ambiguous, and open to interpretation. The Greeting begins with two women engaged in conversation at a street corner.
[75] Bill Viola Oeuvres Principales By Affiche Gif
A timeless instant that Pontormo captured like a snapshot and that also impressed a contemporary artist like Bill Viola. It was Bill Viola himself who, at the 1995 Venice Biennale, dedicated a work entitled 'The Greeting' to Pontormo's Visitation. A video filming a similar scene with an extremely slowed down tempo. The same work was shown.
LES MERVEILLES DE DANIELLE La Visitation... De Bill Viola.
Pontormo (Jacopo Carucci; Pontorme, Empoli 1494-Firenze 1556) Visitazione, 1528 circa, olio su tavola, cm 202 x 156 Carmignano, Pieve di San Michele Arcangelo.. Pier Paolo Pasolini and also the artist Bill Viola. The work of Pontormo reinterpreted by Bill Viola, The Visitation of the Parish of Carmignano (1528-29) will be one of the most.
Bill Viola. Rinascimento Elettronico Museology Reviews
Bill Viola is an American video and installation artist known for exploring themes of spirituality and existential introspection. In his work. a video that reinterprets the 16th-century Italian artist Pontormo's religious painting, Visitation (1528-1529), into a secular drama of similar intensity. Viola currently lives and works in Long.
Qui est Bill Viola ? RMN Grand Palais jeune public, Qui est Bill
Bill Viola ( US: / ˈvaɪoʊlə / VY-oh-lə, UK: / ˈviːoʊlə / VEE-oh-lə; born January 25, 1951) is an American contemporary video artist [1] whose artistic expression depends upon electronic, sound, and image technology in new media. [2] His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.
"The Greeting", rivisitazione di Bill Viola della "Visitazione di
"Inspired by a painting of the Visitation (1528-29) by the Italian artist Pontormo, The Greeting is a video image sequence involving the interactions between three women that is projected onto a screen mounted to the wall of a dark room.
bill viola stages an electronic renaissance at palazzo strozzi in florence
559 286K views 14 years ago Born in New York in 1951, Bill Viola is one of the world's leading video artists. He has been making video art since 1970, when the first portable cameras and.
Bill Viola [en diálogo]
In Pontormo's work, Saint Elizabeth appears twice to suggest to the viewer the idea that the meeting between the two cousins is an event that takes place over time; Bill Viola, overcoming the fixity of the painting, no longer needs such artifice.
The Greeting di Bill Viola e la Visitazione del Pontormo Capolavori a
Bill Viola The Greeting, 1995 Video and sound installation: Color video projection on large vertical screen. Viola uses much of Pontormo's setting, treatment of clothing, and placement of characters, and transforms it into a secular story. Watching the meeting of these women on the street in slow motion, we see the many
Pontormo, Visitation and Bill Viola, The Greeting Black Mirror, Flat
Bill Viola's 'The Greeting' (1995), left, and Jacopo Pontormo's 'Visitation' (1528-9) Viola's version, in the meantime, elongates the moment that is portrayed across the room. In a.
Bill Viola Nero video. La mortalità dell'immagine. Progetto Amnesia
Bill Viola, Ascension, 2000. Video/sound installation. Photo by Kira Perov. Courtesy of the Barnes Foundation. The Barnes Foundation's current exhibition, I Do Not Know What It Is I Am Like: The Art of Bill Viola, surveys four decades of the artist's illustrious career. The bulk of the show is organized across four adjacent rooms.
Annunciation by mannerist painter, Pontormo at Chiesa Santa Felicita
Bill Viola is an internationally recognized contemporary video artist. His work played a huge part in the establishment of video as an important medium in contemporary art.. Pontormo, and Paolo Uccello. Viola's works on YouTube are nothing compared to experiencing, or rather watching them "live" in the exhibition's scenography. So.
Bill Viola Il maestro della pittura in movimento
Luke 1:39-45, The Visitation. Jacopo Pontormo: The Visitation and Bill Viola: The Greeting. On the left we see The Visitation (the meeting of Mary and Elizabeth) by the Renaissance painter Jacopo Pontormo.This work served as the starting point for the art video The Greeting (1995) by Bill Viola, of which we can see a still on the right (part of the video can be seen on YouTube).